The MA Design Research Open House on Tuesday, October 21, 2014 was an evening of insights and information about the new one-year SVA MA in Design Research. Program faculty, students, and alumni spoke about the ways they use critical research techniques in their work, and about the value of research in design practice, curation, education, and publishing. […]
Gabriela Rendón, “Social Property and the Urgency of a New Urban Practice”
Michael Golec, “Champ Fleury in the Machine Age”
Francesca Granata, “Why Fashion Criticism Matters”
James Goggin, “Theory and Practise and Time and Place”
Kevin Delaney, “Redesigning Global News Production”
Craig Buckley, “Re-envisioning Assembly—Montage and Architecture in the Long 1960s”
Ian Frazier, “The End of Writing, and What to Do After”
Geoff Manaugh, “A Burglar’s Guide to the City”
Joanna Ebenstein, “The Morbid Anatomy Museum”
Design Writing and Research Summer Intensive
“Both Rosenbaum’s affable, burly, tattooed persona and his sensual, maximalist vocabulary speak to a broad spectrum of Brazilians—from ladies who lunch and shop on Óscar Freire, São Paulo’s most expensive street, to the masses who watch him on TV. In eclectic, vibrant mash-ups of color, texture and materials, he takes the glamour of fashion to the masses and brings the inventiveness and complexity of Brazilian popular culture to the elite. Lowbrow regional folk art and craft elements are thrown together with highbrow design references in such disparate things as a six-reais vinyl table-cloth, a Vogue magazine editorial, or celebrity chef Alex Attala’s Dalva e Dito restaurant.”
“Judd’s home has become as stoic and sanitized as his work.”
“When a hermit crab that has grown too large for its current home locates a new one, it determines the structure’s suitability via a process called fondling. During this activity, the hermit crab will explore the shell’s surface and its internal volume-to-weight ratio by rolling the shell over and gently rocking it back and forth.”
“This was a very different kind of shopping for me, and I have to say I was enjoying it. It had a raw, life-or-death edge to it that I rarely experience, even at sales. What I was putting together, to borrow Le Corbusier’s phrase, was a machine for living. And not just living in some milk-fed suburban idyll, but living in a particularly rugged swatch of twenty-first century ecosystem on the brink of catastrophic collapse.” —David Womack
“At the first sight of MDRS, the dissonance between the white dot of the habitat on the red and brown field of the desert is profound. For a while I’m transfixed at the image of a capsule that seems to have fallen out of the sky.”
“Location, architectural style, and decoration make a language—one Wharton could read and write fluently.”
“The irony doesn’t escape me. I had sacrificed my own home to launch a magazine that was all about other people’s homes.”
“By pointing to things my respondents had deemed meaningful enough to dwell with, I was often able to make them reconsider the import and strangeness of their everyday domestic surroundings.”
Watch videos of recent lectures by Peter Bil’ak, founder of Works that Work, Ellen Lupton, curator at Cooper Hewitt Design Museum, Rick Poynor, British design critic, Robert Krulwich, co-host of WNYC’s “Radiolab”, Vishaan Chakrabarti, principal at SHoP Architects, John Warner, editor of McSweeney’s Internet Tendency, Virginia Postrel, author and columnist, Kurt Andersen, author and host of WNYC’s “Studio 360″, and Vince Aletti, photography critic for The New Yorker.
Robinson Crusoe sets up his new home in a cave on a desert island and finds that by means of a chair and table, some shelves and hooks his situation looks a lot brighter.
“I’m from where beef is inevitable, summertime’s unforgettable boosters in abundance, buy a half-price sweater new.”
—Jay Z, “Where I’m From”
“For me, the bedroom was never a shelter for self-preservation. It was a room full of possibilities, where I wandered on a journey of self-discovery through the ritual of arrangements.”
A British native and an American transplant, Alice Twemlow looks to peripatetic whale-enthusiast Philip Hoare for advice on how to find one’s way home.
Watch videos of presentations by the graduating class of 2014, Nicholson Baker and more.
Faculty, students, and alums of the department recount their love affairs with Design Research (as well as performing holograms, flying green tree snakes and 51-hour journeys to South Sudan) while they share with us how they teach it, study it, and practice it in their daily work.
10 days, 21 participants, 500+ tweets, 9 design studios, 7 projects, and 1 collaborative publication. Check out the SVA Design Research & Writing Summer Intensive.
A platform implies both the tool as well as the message. Twitter, as a platform, is a space to shout, inquire, move, and capture our thoughts momentarily in a stream of narratives, conversations, observations, and critiques. Over two weeks, in and around New York City, the words arrived and departed, resulting in a shared stream […]