136 W 21st St, 2nd Floor
New York, NY 10011
Sandra Nuut considers innovative instances of fashion curation and demonstrates the ways in which new critical approaches might provide inspiration and exemplars for museums seeking to escape commercial constraints.
Bryn Smith reflects on the paradox of a now-fashionable hue that we also use to commemorate the first Great War.
The New York Times columnist Constance Rosenblum explores the distinctive habitats of New Yorkers.
Amanda Vallance meets the gal pal of Barbie and Paris Hilton.
Architecture critic Alexandra Lange extolls on Edith Wharton’s fluency as a decorator and architect of the domestic milieu
Katya Mezhibovskaya on the color that puts the world at our fingertips.
Katya Mezhibovskaya visits the apartments of young New Yorkers to find cultural meaning in their possessions and domestic arrangements.
Julia van den Hout explores examples of contemporary experimentation with material and structure, and the creation of elaborate forms that are ornate, yet retain their essential function.
Derrick Mead analyzes themes in critical design such as designing for repair, designing for failure, and designing for “cradle-to-cradle” type life cycles.
Barbara Eldredge questions why guns are missing from museum design collections.
Ann Weiser explores the disconnect between the reality and idealized fantasy of Main Street, from the financially privileged communities of old New England towns and New Urbanist Greenfield developments, to the crumbling sidewalks of Main Streets ravaged by the methamphetamine epidemic.
Anna Kealey dissects the visual and verbal cues on food packaging–from the seemingly obvious to the far more abstract–and illustrates how they are used to create myths about food.
After researching the roles of policy and design in the failures of public housing, Erin Routson compiled a hip-hop playlist/audio tour guide which reframes New York’s most notorious housing projects as sites of creative production.
Michele Washington illustrates the ways in which the Afro has been used as a significant graphic element in the black vernacular narrative.
Katya Mezhibovskaya considers the 2002 Stephen Daldry film, The Hours, as a study of interiors and interiorities.
Zachary Sachs conjures a (fateful) day in the life of his childhood home on Rockwood Street, Dallas.
Metropolis magazine associate editor Avinash Rajagopal on the most comforting shade of pastel blue known to mankind.
On a research trip to Brazil, Frederico Duarte discovers that Marcel Rosenblum, with his massively popular “Lar Doce Lar” (Home Sweet Home) TV show, a local “Extreme Makeover” in which he and host Luciano Huck go around the country redecorating—and often rebuilding—poor families’ homes, exerts a more real and powerful influence on Brazilian culture than such celebrated design exports as the Campana brothers.
Crew journalist Mike Neal arrives at his home for the next two weeks—the Mars Desert Research Station Habitat in the Utah desert—and confronts the architecture of desolation he finds there.
The smallest living space featured in the book Tiny Houses by Mimi Zeiger