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This podcast investigates the distinctive aesthetics of window decals used in many nail salons and dry cleaners in New York City. Through interviews with passersby, customers, and store owners as well as archival research, this story tracks the discovery of the decal’s ultimate of inspiration: the artist Patrick Nagel. Nagel, who worked in the 1970s […]
“New Amsterdam” is the first installment of an experimental new podcast that presents near-future design fiction in the form of a radio-drama style narrative. The story takes place in New York in the year 2027, ten years after a series of hurricanes flooded major parts of Brooklyn and Manhattan, and follows the Commissioner of Emergency […]
Writer and designer Veronique Vienne tells “Studio 360’s” Kurt Andersen about the sleek cylinder of color that is as indispensable as a Swiss army knife.
Metropolis magazine associate editor Avinash Rajagopal on the most comforting shade of pastel blue known to mankind.
Successful experience designers, self-identified or not, tend to employ similar strategies, especially when it comes to opening people up to risk in a caring way. This research will inform a lexicon for designing experiences, with a specific focus on experiences that aim for human enrichment. Drawing from game studies, positive psychology, and the anthropology of […]
Avinash Rajagopal explores the convergence of the two dominant modes of creation 21st century and its role in realizing an open ecotopia, straight out of Buckminster Fuller’s theories and Bruce Sterling’s fiction.
Hallucinating, in death throes from cancer and kidney failure, an old man sees the walls around him begin to collapse, as he returns in his mind to his impoverished childhood in the backwoods of Maine.
What do small businesses in New York City communicate via their designed storefronts? What narrative are they telling and howdo storefronts affect a neighborhood’s identity? What types of storefronts clarify or confuse the city’s social, cultural, and economic complexion? Who has agency within their social and production networks, and in what ways does design allow […]
On December 15th, 2016, Ana De Brito, a midwifery student at Yale School of Nursing, took to Facebook to share an image of a new book—Birth Work as Care Work by Alana Apfel—with friends: “I always loved receiving books as a gifts because #nerd,” she wrote, giving a public shout-out to her good friend Marian […]
Historically, maps produced by the US National Park Service have reflected a commitment to resource protection, public education, and stewardship. By looking at the design evolution of maps from the mid-twentieth century through today, it is possible to see how the values espoused by these maps have changed—and in fact promote an engagement with nature […]
“How To Be Creative” is a speculative (and often satirical) podcast series on exploring self-help culture and its overlap with literature about creativity. In this week’s edition of “How to Be Creative” the host, Lorena Canales Morales, ventures on yet another culinary adventure, this time exploring the sweet delicacy of banana bread. In the quest […]
“Cars have never been more competent than they are today … and never less useful,” wrote the critic Stephen Bayley in his 2012 book Cars. More competent, less useful. The method I used to measure what would seem like a paradoxical statement is the concept of “proper function” and “system function” by theorist Beth Preston. […]
R/GA Executive Creative Director David Womack weighs up survival versus comfort as he assembles a home-away-from-home in his backpack.
Sleeping on a tatami mattress, which could be endlessly repositioned, allowed Justin Zhuang to turn his childhood bedroom into a space of possibilities.
Design fiction, inherently a practice grounded in narrative, aims to create believable speculative fictions about future objects through storytelling.There is a need to develop a discourse between the fields of design fiction, narratology—the study of narrative’s structure and effects on perception—and the psychology of fictional characters. Narratology shows that empathizing with fictional characters can lead […]
Ever wonder about the people in the architectural renderings that hang in the windows of real estate offices or on the scaffolding around construction sites? You know, those happy people doing yoga, riding bikes, and pushing strollers? In the architecture world, these people are called “scalies” due to their function as markers of scale and […]
Zachary Sachs conjures a (fateful) day in the life of his childhood home on Rockwood Street, Dallas.
Social media have become tools for museums to advertise their programs and collections, pass on general information about the institution and, most importantly, engage in a more direct dialogue with their audiences. This podcast explores the ways in which visitors and curators use Instagram in this context. It also questions the limitations of such platforms […]
Today, New York City is in the midst of a construction boom. “Supertall” skyscrapers and large-scale “megaprojects” are currently taking shape at rapid speed. While many of these projects may not yet exist, architectural hyper-renderings, ostensibly, provide us with ways of envisioning how they will unfold within the urban fabric. These hyper-renderings have helped popularize […]
The smallest living space featured in the book Tiny Houses by Mimi Zeiger
Robinson Crusoe sets up his new home in a cave on a desert island and finds that by means of a chair and table, some shelves and hooks his situation looks a lot brighter.
Architecture critic Alexandra Lange extolls on Edith Wharton’s fluency as a decorator and architect of the domestic milieu
The rooms we live in are sites where status, ideology, and anxiety surface materially: they are, in a sense, portraits of us. From this point of view, rooms inhabited by children are doubly fraught, reflecting not only clues to the identity of the child but the viewpoints of parents as well. Through their purchase or […]
Bryn Smith reflects on the paradox of a now-fashionable hue that we also use to commemorate the first Great War.
“As technology continues to impact the way we travel, we can expect any number of the following to become commonplace, and we will have an even more personalized experience of a foreign place with the swipe of a finger: geolocation, better connectivity possibilities, wireless energy, personalization, frame-of-mind recommendations, and Augmented Reality.”
—Jenni Young
“Megaprojects have provided especially lucrative investment opportunities. Characterized by the revamping of large swaths of land and the creation of new neighborhoods comprising some blend of residential, commercial, and perhaps cultural spaces, these projects represent a new chapter in the evolution of city building, and an interesting cross-pollination of the two fiercely opposing viewpoints of twentieth century city planning—those of Jane Jacobs and Robert Moses.”
—Alex Klimoski
“The real value of the experience is actually what is not being pointed out by the sign. According to philosopher Vincent Descombes, ‘The character is at home when he is at ease in the rhetoric of the people with whom he shares life.’ The feeling of ‘home’ is accomplished by the colors, words, materials, objects, and distinctive design gestures that comprise the storefront. Its unique design captures the character of the neighborhood, which would feel alien if placed in a different part of the city.”
—Derek Edward Love
As a father with kids who like stuff and me also liking stuff, I have a lot of stuff. In my childrens’ rooms is an embarrassing amount of stuffed animals, a tumult of toys, a menagerie of tiny chairs and knee-high desks. Much of this stuff is, let’s face, it aesthetically worthless. Most of it is plastic, which means this aesthetic worthlessness will be around for millennia. Design for children, too often, has been conflated with bright colors, bold shapes, and shoddy construction. But in a new book Design for Children, author Kimberlie Birks showcases more than 450 designs for children from some of the century’s greatest visual minds from Phillippe Starck to Piero Lissoni. We recently chatted with Birks about what her deep dive into children’s design taught her and asked her to pick her favorite designs from the book.
Do you find children’s design has more in common with its contemporary adult designs or with children’s design through time? That is, is a toy made in 1950 more similar to a desk made in 1950 or a toy made in 1980?
Children’s objects are often a signal of the times, reflecting both the evolution of the design industry and shifts in public perception. Fascinatingly, much of the design history of the twentieth century can be traced through developments in children’s furniture, as their smaller scale was ideal for designers seeking to test new materials and processes. From the wood and tubular steel constructions of the Bauhaus in the 1920s, to the plastic pioneers of the 1960s, the remarkable technical, material and aesthetic innovations made in design for children reflected—and often led—the wider design field. As such, children’s design can be often seen to have more in common with its contemporary adult designs than with children’s designs from other eras. Read more… (more…)
Our Director of Operations, Eric Schwartau, checked in with Paul Olmer (MA Design Research Class of 2017) at his design-build studio, Hewn Bros., in the Gowanus neighborhood of Brooklyn. Olmer founded Hewn Bros. with business partner Chris Tilden in 2011 and since then, they’ve racked up an impressive list of clients—Casper, AirBnB, and Quip to name a few. Before coming to SVA, Olmer worked in set design and construction for theater and received a B.A. in Fine Arts and Poetry from Bennington College in Vermont. Olmer was awarded the 2017 Susan Merritt Scholarship for his Applied Thesis at MA Design Research. (more…)
Use Only as Directed: Safety is not Always Safe
“Liewer bang Jan as dooie Jan.”
This Afrikaans idiom roughly (directly) translates to “Rather scared Jan than dead Jan.” It’s an expression similar to rather safe than sorry but much more urgent.
Objects designed to provide safety can still put you in life or death situations, just like their earlier, unsafer, predecessors. Many “safe” objects now bear the word “safety” as part of their (misleading) titles. Many other safety objects boldly proclaim PROTECTION, HEALTH, and SAFETY on their covers with much smaller, thankfully bold, WARNINGS and DIRECTIONS about all potential dangers on the back. But are these objects as safe as their names suggest? [read more…]
