Faculty & Lecturers
Faculty
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Architectural designer and researcher
Alicia Olushola Ajayi is an architectural designer, researcher, writer, and (still trying to figure it out) based in NYC. After receiving a dual masters in architecture and social work from Washington University in St. Louis, Alicia worked as an associate designer at MASS Design Group. There she contributed to the Equal Justice Initiatives Soil Collection exhibition and the ground-breaking Memorial to Peace and Justice in Montgomery, Alabama, a site dedicated to the racial terror and lynching throughout US history.
She graduated from the SVA MA Design Research, Writing and Criticism program in 2020. At SVA, she refined her research practice to be rooted in historical research and cultural theory applications. Ajayi is currently documenting and researching Brooklyn, IL, the first Black American town to be incorporated by 1829. Situated along the Mason-Dixon line, Brooklyn’s past offers a rich history of the external ideologies and internal motivations that created radical Black spatial conditions. The study of Brooklyn and other antebellum Black settlements offer a critical understanding of Black place-making in American history. The research is supported by the School of Visual Arts Alumni Association (2019), the New York State Art Council on the Arts (2019), and the Architectural League’s Deborah J. Norden Travel Grant (2020). Ajayi’s article “We Call It Freedom Village: Brooklyn, Illinois’ Radical Tactics of Black Place-making” can be read here.
Ajayi’s practice incorporates multiple writing forms from scholarly to commentary to experimental. Her work is featured in The New York Architecture in Review, PIN-UP Magazine, Metropolis, Architectural Record, The Architectural Review, Dear Friend, and The Funambulist. Ajayi serves on the advisory board of Oculus Magazine. She is the show producer for the upcoming podcast Curious Story Lab, an interview platform hosted by influential graphic designer Michele Washington, spotlighting designers of color. Ajayi is also the project manager at BlackSpace Urbanist Collective, a group of design professionals dedicated to protect and create Black spaces.
She co-teaches Approaches to Design History, Part II with Jon Key in the Fall Semester.
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Architect and author
An architect and an author, Margaret Arbanas has worked on projects ranging from books to exhibitions to buildings to cities. Educated at Harvard University’s Graduate School of Design, Arbanas joined Rem Koolhaas’s Office for Metropolitan Architecture in Rotterdam and New York in 2003, where she was responsible for a number of projects in Europe, US and China. Highlights from her time at OMA include visual identity design for the European Union, content development for the exhibition The Image of Europe, timeline design for OMA’s retrospective exhibition and publication Content, and design of Cornell University’s new school of architecture. She returned to Harvard in 2009 to co-lead Koolhaas’ master thesis cohort in 2008.
In 2009 Arbanas started her own practice, collaborating with numerous cultural institutions such as Guggenheim Museum , Harvard University, and Pentagram. Her work has been featured in the Venice Biennale of Architecture and various publications.
Arbanas was awarded grants from the Graham Foundation and American Institute of Architects to relocate to Cuba and research the 1959 revolution’s impact on architecture and culture. She is also the recipient of the Balokovic Scholarship from Croatian Academy of Sciences and Arts.
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Critic, editor, and curator
Brian Droitcour is a critic, editor, and curator. He has contributed to publications including 4columns and Rhizome, and catalogues for exhibitions at the Whitney Museum, the New Museum, and the Art Gallery of Ontario, among others. From 2014 to 2021 he worked at Art in America magazine, where he organized special issues on topics including the digitized museum, generative art, and immersive art. Since 2021 he has been editor-in-chief at Outland, an online publication exploring artists’ use of blockchains, AI, gaming systems, and other emerging technologies and genres. He has taught in MFA programs at Pratt Institute, Maine College of Art, the George Washington University, and City College of New York.
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MA Design Research Program Chair
Molly Fulghum Heintz is the Program Chair of the SVA MA Design Research program and the editor at large at Architectural Record, New York. She is a co-founder of the editorial consultancy Superscript and has served as the firm’s managing director since 2012. With Superscript, she has collaborated on strategy, research, and writing projects for a range of design organizations and institutions, including Pentagram, the Museum of Modern Art, and Rockwell Group, in addition to producing conversation series for the Museum of Arts and Design, the Venice Architectural Biennale, and the Oslo Architecture Triennial. Prior to Superscript, Heintz led communications departments at the architecture firms Gensler and Rockwell Group and was a fellow at the Philip Johnson Glass House, where she helped launch the interactive site “Glass House Conversations.” She holds BAs in Classics and Archaeology from Duke University, an MFA in Design Criticism from the School of Visual Arts, and an MA in the History of Art and Architecture from Harvard University, where her PhD research focuses on narratives attached to design objects. Heintz has edited multiple books and magazines, and is a contributor to Design Observer, Fast Company magazine and The Architect’s Newspaper. Her writing has also appeared in The Art Newspaper, AIGA Voice, and Studies in the Decorative Arts, among other publications.
She co-edited The Education of a Design Writer (Allworth 2025) with Steven Heller, an anthology of outstanding new design writing. Her recent research has focused on design and disinformation, and she presented a related paper, “The Role of Design in the Creation of Fake News,” at the College Art Association Conference.
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Co-chair MFA Design / Designer as Author + Entrepreneur
Steven Heller is the co-chair of the SVA MFA Design / Designer as Author + Entrepreneur program and the SVA Masters Workshop in Rome. He writes the Visuals column for The New York Times Book Review, a weekly column for The Atlantic online and The Daily Heller / Imprint online. He has written more than 160 books on graphic design, illustration and political art, including The Design Entrepreneur (with Lita Talarico), Paul Rand, Merz to Emigre and Beyond: Avant Garde Magazine Design of the Twentieth Century, Design Literacy: Understanding Graphic Design, Citizen Designer, Stylepedia: A Guide to Graphic Design Mannerisms, Quirks, and Conceits (with Louise Fili), The Anatomy of Design: Uncovering the Influences and Inspirations in Modern Graphic Design, Iron Fists: Branding the 20th Century Totalitarian State and 100 Ideas that Changed Graphic Design. He is a contributing editor for Print, Baseline, Design Observer, and Eye. Heller is the recipient of the Art Directors Club Special Educators Award, the AIGA Medal for Lifetime Achievement, the School of Visual Arts’ Masters Series Award and the 2011 National Design Award for “Design Mind.”
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Professional observer of the manmade landscape
Karrie Jacobs is a professional observer of the manmade landscape. Her recent writing has appeared in Curbed, the New York Times, and the MIT Technology Review. She has been a columnist for Metropolis and a contributing editor for Travel + Leisure, Architect, House + Garden and Metropolitan Home. Jacobs was also the founding editor-in-chief of Dwell, the architecture critic of New York Magazine, and the founding executive editor of Benetton’s Colors. She is the author of The Perfect $100,000 House: A Trip Across America and Back in Pursuit of a Place to Call Home (Viking, 2006).
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Writer and editor
Jennifer Kabat’s The Eighth Moon on a 1840s socialist uprising in her town will be published by Milkweed Editions in Spring 2024. Half of a diptych, the second volume Nightshining will come out in 2025. Her work has been supported by numerous grants including a Silvers Foundation Grant and a Warhol Foundation Arts Writers Grant for her criticism. Her essays have appeared in BOMB, Granta, Frieze, McSweeney’s, The Believer, Virginia Quarterly Review, LARB, New York Review, 4 Columns and the White Review and been anthologized in Best American Essays. She often collaborates with artists and contributes to museum catalogues. An apprentice herbalist, she lives in rural upstate New York and serves on her volunteer fire department.
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Publisher, New York Review of Architecture
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Artist and designer
Jon(athan) Key is an artist, designer, and writer originally from Seale, Alabama. After receiving his BFA from RISD, Jon began his design career at Grey Advertising in NYC before moving on to work with HBO, Nickelodeon, and The Public Theater. Now he is co-founder of the Brooklyn–based design studio Morcos Key with Wael Morcos. As an educator, Jon has taught at MICA, Parsons, and currently teaches at Cooper Union and SVA. Jon is also a Co-Founder and Design Director of Codify Art, a multidisciplinary collective dedicated to creating, producing, supporting, and showcasing work by artists of color, particularly women, queer, and trans artists of color. Jon was selected for Forbes 30 under 30 Art and Style list for 2020 and was the Frank Staton Chair in Graphic Design at Cooper Union 2018-2019. His work has been featured in Jeffery Deitch Gallery NYC, the Armory Show, The New York Times, The Washington Post and The Atlantic.
He holds an MA in Design Research, Writing and Criticism from SVA (Class of 2021). He co-teaches Approaches to Design History, Part II with Alicia Ajayi in the Fall Semester.
@jonkey13
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Writer and cultural critic
Jennifer Krasinski is a writer and cultural critic who contributes to 4Columns, Bookforum, the New York Review of Books, and other publications. Her essays have been published in numerous books and catalogs including Reza Abdoh, Jill Johnston: The Disintegration of a Critic, and Hilton Als's Andy Warhol: The Series. She was an art columnist for the Village Voice from 2014 to 2018, and served as both senior editor at Artforum and later as the magazine’s digital editorial director. She taught at Art Center College of Design, New York University, Yale University, and is currently teaching in the MFA Art program at Lesley University. She is the recipient of an Andy Warhol Foundation Arts Writers Grant (2012), a Rauschenberg residency, and is a 2023–24 MacDowell fellow.
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Writer, documentary filmmaker and producer
Adam Harrison Levy is a writer and freelance documentary film producer and director. He specializes in the art of the interview. For the BBC he has conducted interviews with a wide range of actors, writers, musicians and film-makers including Meryl Streep, Philip Glass, and Paul Auster. He was the U.S. producer for Selling the Sixties, a cultural history of advertising in New York in the early 1960s and Close Up, about the artist Chuck Close. His directing credits for the BBC include Step Right Up and War Machine. He has produced and directed interviews for films such as Lou Reed Remembered, The Kennedys, and D-Day to Berlin. He is a contributing writer for The Design Observer and wrote the catalog essay for Hiroshima: Ground Zero 1945, an exhibition at the International Center for Photography and Saul Leiter: Retrospective at the Deichtohallen, Hamburg. His journalism has appeared in The Huffington Post and The Guardian Weekend Magazine. In 2012 and 2013 he curated the BBC/SVA documentary film festival and in 2012 he was a Poynter Fellow at Yale University. In 2013 and 2104 he is a visiting assistant professor in the Film Studies Department at Wesleyan University.
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Arts writer, architect, and media consultant
Pierre Alexandre de Looz is a New York-based arts writer, architect, and media consultant. He has reported on art, design and fashion for The New York Times Style Magazine T, Fantastic Man, V magazine, Art in America, Surface, and Tokion, among others. He is New York contributing editor for award winning 032c magazine, for which he has profiled leading fashion industry figures like photographer Steven Meisel, designer Nicolas Ghesquière, and most recently designer Raf Simons. In 2006 he co-founded design and culture semiannual PIN-UP magazine, and serves as the magazine’s editor-at-large. He is a graduate of Yale University with a B.A. in Comparative Literature and earned a Master’s in Architecture from Columbia University in 2004. Following apprenticeships with Robert AM Stern and Zaha Hadid, his design work currently focuses on residential and exhibition design.
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SVP of Content Development at Pushkin Industries
Leital Molad is the head of content development at Pushkin Industries, the audio company that's home to Malcolm Gladwell's Revisionist History, Broken Record with Rick Rubin, The Happiness Lab, Against the Rules with Michael Lewis, and many more chart-topping podcasts and audiobooks. Previously, she was the executive producer of podcasts at First Look Media (Topic Studios & The Intercept). Before that, Molad spent more than a decade producing radio and podcasts at WNYC, including the Peabody Award-winning arts and culture show Studio 360 with Kurt Andersen. She has an MA in journalism from NYU.
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Cultural critic and author
Anne Elizabeth Moore is the Eisner-winning author of a critical overview of the work of cartoonist Julie Doucet, as well as a long-standing comics, book, film, and culture critic. Gentrifier: A Memoir is an NPR Best Book and Body Horror: Capitalism, Fear, Misogyny, Jokes was nominated for a Chicago Review of Books Award and a Lambda Award, was a Chicago Public Library Best Book, and was released in a second edition by Feminist Press. Her award-nominated podcast, My Inevitable Murder, is a true-crime comedy investigation of her own impending demise, and is supported by the Fund for Investigative Journalism and the New York State Council on the Arts.
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Writer and Editor
Eric Schwartau is a writer, editor, and comedian. He pens the Catty Corner column for New York Review of Architecture, where he is a Contributing Editor, and co-founded Talk Hole, a comedy and culture project that began as a live show before evolving into a column for Interview and Gawker. He previously worked as an editor at Taschen and recently directed Steven Phillips-Horst in The Last Mad Man, a one-man show that premiered at the 2025 Edinburgh Fringe.
As the former Director of Programming & Publications at D-Crit, he taught the Applied Media Workshop, Thesis Development Workshop, and Design Writing and Research Summer Intensive, and edited 2NDFL, the department’s biannual publication. His teaching centers on experimental writing forms, voice and creative development, and the relationship between design and contemporary culture. He currently teaches Contemporary Issues in Design: New York City as Case Study.
A 2025 Google Artists + Machine Intelligence awardee, Eric is developing new frameworks for teaching and writing about AI in design in collaboration with Outland Editor, Brian Droitcour.
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Author and editor
Craig Taylor is the author of New Yorkers: A City and Its People in Our Time and Londoners: The Days and Nights of London Now—As Told by Those Who Love It, Hate It, Live It, Left It, and Long for It. His two previous books, Return to Akenfield and One Million Tiny Plays About Britain, were adapted for the stage. He is the editor of the literary magazine Five Dials.
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Director of Operations, D-Crit; Artist and Writer
Courtney Treglia is an artist and writer born and raised in New York. Spending half of her life in Rochester deepened her love of nature, and the other half living on Long Island opened her eyes to the cultural disparity and elitism of suburban living. Courtney uses visual imagery and color to process emotions that dwell within the metaphysical labyrinths that rupture in the face of life’s unexpected challenges. Her desire to capture the neurodiversity and empowerment of the human experience through art and writing is born from her childhood love of music, science fiction, and animation. Courtney looks forward to spending her fifth year at SVA supporting her students in both the MA/MAT Art Education and MA Design Research, Writing, and Criticism departments.
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Author and Fast Company columnist
Rob Walker is a journalist and columnist covering technology, design, business, and other subjects. A longtime contributor to The New York Times, he writes a column on branding for Fast Company, and has contributed to for Bloomberg Businessweek, The Atlantic, Fortune, Marketplace, and many other outlets. He is the coeditor of Lost Objects: 50 Stories about the Things We Miss and Why They Matter, and the author of The Art of Noticing. He is often called on as an expert commentator on the subject of material culture and branding, notably in the documentary Objectified. His newsletter is at robwalker.substack.com.
- Danah Abdulla, designer, educator, and researcher, "Design Otherwise: Transforming Design Education in the Arab Region"
- Glenn Adamson, director of the Museum of Arts and Design (MAD), “Making it in NYC”
- Vince Aletti, photography critic, The New Yorker, “Face of Fashion: Fashion Photography, Art Direction, and Magazine Design“
- Donald Albrecht, curator, Museum of the City of New York, “The Power of Display”
- Steve Almond, author, “How to Make the Reader See It: The Book as a Visual Artifact“
- Theo Anthony, filmmaker, Rat Film
- Marianela D'Aprile, writer and editor
- Allison Arieff, The New York Times columnist and author, “From Derrida to Dwell to DIY Urbanism”
- Tobias Armborst, partner, Interboro Partners, “Advocacy and Pluralism in Architecture“
- Nicholson Baker, novelist, critic, “Wrapping Sentences Around Things“
- Emilie Baltz, founder, creative director, Baltzworks; brand director Museum of Sex, “Why Foreplay Makes the Food (AKA: There’s More to a Steak Than Beef)“
- David Barringer, author, graphic designer, photographer, artist, “Design As Literature: The Changing Shape of the Novel”
- Michael Barson, ephemera collector, publicist, Penguin Books
- Jake Barton, founder, Local Projects, “Collaborative Storytelling and the Dissolution of Technology“
- Martin Beck, artist, “Selected for Their Implications”
- Eugenia Bell, design editor, Frieze, “Design, Observed: Writing Design and Architecture“
- Roger Bennett, sports and culture writer, “On Objects“
- Aaron Betsky, critic, curator, director, Cincinnati Art Museum, “Architecture Beyond Building“
- Peter Biľak, founder and editor, Works that Work, “Works That Work: Making Magazines Today”
- Ayse Birsel, co-founder, Birsel + Sec, “Design the Life You Love”
- Andrew Blauvelt, curator of Architecture and Design and chief of communications and audience engagement, Walker Art Center, “Graphic Design: Discipline, Medium, Practice, Tool, or Other?”
- Sam Bloch, author, Shade: The Promise of a Forgotten Natural Resource
- David Blum, writer, editor, Amazon.com’s Kindle Singles
- Alan Brake, architecture critic, executive editor, The Architect’s Newspaper
- Luke Bulman and Jessica Young, partners, graphic design office Thumb, “Some Loose Connections”
- Chandler Burr, author and perfume critic, The New York Times, “Invisible Design: The Structure of Scents”
- Stephen Cassell, principal, Architecture Research Office
- Vishan Chakrabarti, director of the Center for Urban Real Estate at Columbia University’s Graduate School of Architecture, Planning & Preservation and partner at SHoP Architects, “A Country of Cities: A Manifesto for Urban America”
- Aric Chen, curator of Design and Architecture at M+, Hong Kong, “Building a Visual Culture Museum from Zero, or The World, from Another Point of View”
- Irwin Chusid, archivist, radio host
- Jeff Chu, articles editor, Fast Company
- Brian Collins and John Fulbrook, Collins, “Defining the Story“
- Lucy Collins, fashion critic, “From the Ivory Tower to the Tents: Thinking Critically about Fashion”
- Zoe Coombes, designer, founder, Cmmnwlth, “Dirt from Glass Cages”
- Glen Cummings, MTWTF, “Negotiating Urban Nature“
- Elizabeth Demaray, conceptual artist, “The Hand-Up Project”
- Mark Dery, cultural critic, “The Politics of Style”
- Elyssa Dimant, fashion critic, “‘In Rogue’: Crafting Fashion Criticism”
- Joanne Dolan Ingersoll, curator, department head of Costumes and Textiles, RISD Museum of Art, “Mannequins in the Museum: Perspectives on Curating Fashion”
- Greg D’Onofrio and Patricia Belen, partners, Kind Co.
- Susannah Drake, principal, dlandstudio
- William Drenttel, designer, author, social entrepreneur, publisher, editorial director of Design Observer
- Keller Easterling, author Extrastatecraft
- Stuart Ewen, design historian, “Calculated Nostalgia”
- Peter Feld, web editor, blogger
- Louise Fili, author, graphic designer, Louise Fili Ltd.
- Russell Flinchum, design historian, “The Other Half of Henry Dreyfuss“
- Rob Forbes, founder, Design Within Reach
- Mark Foster Gage, architect and principal, Gage / Clemenceau Architects, “Architecture After Concepts”
- Sasha Frere-Jones, music critic, The New Yorker
- Eva Franch i Gilabert, architect, curator, critic, and educator, “Corporate Avant Garde and the Return of Disruption“
- Jason Fulford, photographer, co-founder, J&L Books, “Land“
- Jarett Fuller, podcaster, Scratching the Surface
- Pedro Gadanho, author, architect, curator, MoMA Department of Architecture and Design, “Is Curating the New Criticism?”
- Beatrice Galilee, founder, The World Around
- Paul Galloway, archivist, MoMA
- Dwight Garner, book critic, The New York Times
- Maryam Monalisa Gharavi, "The Machine is the Message: Writing and Reading in the Age of AI"
- Milton Glaser, graphic designer, “D-Crit Open House, 2012“
- Vicki Gold Levi, photo researcher
- Jamie Gray, founder, Matter
- Toni Griffin, director, J. Max Bond Center on Design for the Just City, “Design for the Just City“
- Alisa Grifo and Marco ter Haar Romeny, proprietors of New York City retail store KIOSK, “The Things We Never Stop Thinking About”
- Jocelyn Groom, head of exhibitions, Cooper-Hewitt National Design Museum
- David Hajdu, author and columnist
- Jeremy O. Harris, playwright
- Christopher Hawthorne, architecture critic, Los Angeles Times, “The Plume: Architecture Under a Cloud”
- Virginia Heffernan, columnist, television critic, The New York Times, “The Pleasures of the Internet”
- Sharon Helgason Gallagher, president, ART BOOK/DAP, “The Book and the Bicycle“
- Scott Henderson, designer, founder, Scott Henderson, Inc.
- Eric Himmel, editor-in-chief, Harry N. Abrams, Inc.
- Glenn Horowitz, antiquarian book dealer
- Jackson Howard, editor FSG Books
- Jamer Hunt, associate professor of Transdisciplinary Design, Parsons, “Becoming Transdisciplinary: Critical Unbecoming“
- Julie V. Iovine, executive editor, The Architect’s Newspaper, “The Difference between Newsworthy and New: Reporting and Criticism in the Architectural Press”
- Bjarke Ingels, founder, Bjarke Ingels Group, “Speculatively Speaking: The Future of Design Criticism“
- Alexandra Jacobs, fashion critic and fashion features writer at The New York Times, “Trending: How Fashion Has Gone From Class to Mass (and Maybe Mess)”
- Anab Jain, designer, filmmaker, and founder of design studio Superflux, “Design for Anxious Times”
- Natalie Jeremijenko, artist, engineer, associate professor, NYU Visual Art Department, “Critical Engagement: Re-Imagining our Relationship to Natural Systems and Material Culture”
- Casey Jones, director of design excellence and the arts, U.S. General Services Administration, “E Pluribus Unum: Creating Design Policy in the U.S.A.”
- Tiffany Jow, editor-in-chief, Untapped
- Eve Kahn, writer, editor, antiques columnist, The New York Times
- Ben Katchor, cartoonist
- Markus Kayser, inventor, product designer, “Can There Be Union between Nature and Technology in Fabrication?”
- Olympia Kazi, writer, curator, former executive director, Van Alen institute, “Speculatively Speaking: The Future of Design Criticism“
- Kevin Kearney, founder Hard Candy Shell
- Nicolas Kemper, publisher New York Review of Architecture
- Stuart Kestenbaum, director, Haystack Mountain School of Crafts
- Michael Kimmelman, chief architecture critic, The New York Times, “The Role of an Architecture Critic and Possibilities for the Future of Criticism“
- Juliet Kinchin, curator, Department of Architecture and Design, Museum of Modern Art
- Emily King, author, curator, design historian
- Linda King, lecturer, Design History, Theory and Visual Communication, Institute of Art, Design and Technology in Dublin, “Fly Irish: US and Dutch Influences on Aer Lingus Advertising”
- Pat Kirkham, design historian, “Writing Critical Monographs: Case Studies of Ray and Charles Eames & Elaine and Saul Bass”
- Jaffer Kolb, partner, New Affiliates
- Yin Kong, community-based designer, co-founder, Think!Chinatown
- David Krasnow, senior editor, PRI’s “Studio 360”
- Prem Krishnamurthy, cofounder, Project Projects, “As of 10.15.12“
- Robert Krulwich, NPR science correspondent and co-host, “Radiolab,” “Hard Stories Told Easily”
- Cliff Kuang, "The Machine is the Message: Writing and Reading in the Age of AI"
- Laura Kurgan, architect, designer, teacher, Columbia University Graduate School of Architecture, Planning and Preservation, “Mapping Justice”
- Melissa Lafsky, author Opinionistas blog
- Jimenez Lai, architect, “Cartoonish Architecture“
- Mark Lamster, author, critic, “How to Write a Book”
- Cathy Lang Ho, founder, The Architect’s Newspaper; commissioner, curator, U.S. Pavillion at the 13th International Venice Architecture Biennale
- Lewis Lapham, writer, former editor of Harper’s, “Eye to Eye with Lewis Lapham“
- Julie Lasky, journalist, editor and critic
- Kerry Lauerman, editor, Salon.com
- Sarah Lawrence, director, MA History of Decorative Arts & Design program, Cooper-Hewitt National Design Museum
- Saul Leiter, artist, photographer
- Greg Lindsay, author, writer, Fast Company
- Andrea Lipps, curatorial assistant, Cooper-Hewitt National Design Museum
- Tod Lippy, editor-in-chief, Esopus, “More than Words“
- George Lois, art director, designer, author
- Kati London, game designer, Zynga, “New Forms of Engagement and Play in a Sensor- and Real-Time-Data-Dominated World“
- Peter Lunenfeld, professor, UCLA, “Your Client is the Future“
- Ellen Lupton, curator of contemporary design at Cooper-Hewitt, National Design Museum, “Design Fictions: How the Art of Narrative Can Dominate the Understanding of Design Practice”
- Elaine Lustig Cohen, designer, book dealer, artist
- Whitney Mallett, founder and editor, The Whitney Review
- Geoff Manaugh, author, BLDGBLOG
- Roman Mars, creator of “99% Invisible” and host and program director of “Public Radio Remix” from PRX, “Now You See It: Telling Stories about the Built World”
- Deborah Marton, executive director, Design Trust for Public Spaces, “Design Trust: Building Partnerships to Improve Public Space“
- Cathleen McGuigan, arts editor, Newsweek, “The Role of Design Criticism in the National Press”
- Samuel Medina, editor-in-chief New York Review of Architecture
- Michael Meredith, founder MOS Architects, faculty at Princeton School of Architecture, “Playful Experimentation and Criticism“
- Adam Michaels, co-founder, Project Projects, “As of 10.15.12“
- Abbott Miller, writer, curator, partner, Pentagram, “The In-Between of Form and Content”
- Debbie Millman, chair, SVA MPS Branding
- Victoria Milne, director of creative services, NYC’s Department of Design and Construction, “We Built This City: How Art, Graphics, and Design Policy Take Shape for New Yorkers“
- Bill Moggridge, director, Cooper-Hewitt National Design Museum, “The Role of Collecting, Curating and Education in the Context of a National Design Museum”
- Nicholas de Monchaux, author, architect, and theorist, “Fashioning Apollo: The Story of the Twenty-One-Layer Spacesuit“
- P.E. Moskowitz, author, Breaking Awake: A Reporter's Search for a New Life, and a New World, Through Drugs
- Lars Müller, publisher, Lars Muller Publishers
- Regina Myer, president, Brooklyn Bridge Park
- Martina Nadal, partner & COO, Domestic Data Streamers
- Dan Nadel, author, curator, director, PictureBox Inc.
- Nicholas Negroponte, chairman and founder of the One Laptop per Child Foundation and co-founder of the MIT Media Laboratory, “Reflecting on the One Laptop Per Child Project”
- Jane Nisselson, founder, Virtual Beauty, “Cinematics of Systems, Processes, and Beautiful Things“
- Philip Nobel, architecture critic
- Bruce Nussbaum, contributing editor, Business Week, “Breaking the Frames“
- Amy Ogata, design historian, “Design, Creativity, and Postwar American Childhood”
- Kevin O’Callaghan, 3D designer, collector
- Jonathan Olivares, industrial designer, researcher, “Working with Jonathan Olivares“
- Niela Orr, writer
- Spyros Papapetros, assistant professor, Princeton University School of Architecture, “Figure and Frame in German Architecture and Film: From Mies to Murnau”
- Gregg Pasquarelli, founding partner, SHoP Architects
- Christopher Payne, photographer
- Chee Pearlman, design consultant, conference program director, “Designing the Live Content Experience”
- Martin Pedersen, founder, COMMON EDGE
- Steven Phillips-Horst, writer and comedian
- Maria Popova, founder, editor-in-chief, Brain Pickings
- Leo Porto, designer and founder, PORTO ROCHA
- Virginia Postrel, author, columnist, “Meaning and Value in Commercial Culture”
- Alissa Quart, journalist and author
- Fiona Raby, designer and partner Dunne & Raby, “United micro-Kingdoms (UmK): A Design Fiction”
- Anton Rahlwes, designer, artist, co-editor-in-cheif of The Thing Magazine
- David Reinfurt, graphic designer, writer, critic, “The First Rule is Always Production, Never Documentation. The Second Rule is There Are No Rules“
- Roger Remington, printmaker, graphic designer, Vignelli Distinguished Professor of Design, RIT
- Sarah Rich, writer, editorial consultant, digital strategist, “Tracing Footprints: Exploring the Intersection of Design, Technology, Cities, and Food“
- Damon Rich, urban designer for the City of Newark, founder, Center for Urban Pedagogy, “Working the System: Recent Attempts to Bring Design and Politics to Productive Crisis“
- Fred Ritchin, professor of Photography and Imaging, NYU Tisch School of the Arts
- Felipe Rocha, designer and founder, PORTO ROCHA
- Michael Rock, 2 x 4 founding partner, “Speaking Surfaces,” “Superficiality, Dematerialization, and Branded Surfaces”
- Vanessa Rosales, D-Critic-in-residence, Fall 2022
- Noah Rosenberg, editor-in-chief, Narratively, “Slow Down“
- Constance Rosenblum, editor and reporter, The New York Times, “Private Lives in the Big City: Writing About New Yorkers and Their Distinctive Habitats“
- Jeff Roth, researcher, The New York Times
- Tina Roth-Eisenberg, founder, Swissmiss
- Elizabeth Royte, journalist
- Andrew Rumbach, PhD candidate, City and Regional Planning, Cornell University, “Only by the Grace of God: The Political Ecology of Urban Disasters“
- Zoe Ryan, Neville Bryan Curator of Design, The Art Institute of Chicago, “Contemporary Constructions: Design at the Art Institute of Chicago“
- Witold Rybczynski, author, critic, “The Biography of a Building“
- Danielle Sacks, senior writer, Fast Company
- Katie Salen, writer, educator, Parsons Design and Technology Program, “Everyone Knows Something: Design of Participation“
- James Sanders, architect, author, and documentary filmmaker, “Begin with the Screen: Using Film to Explore Issues of Architecture and Design“
- Mark Schapiro, editorial director, Center for Investigative Reporting
- Jeffrey Schnapp, cultural historian, “Man, Machine, Morality“
- Jason Schupbach, director of Design Programs for the National Endowment for the Arts, “Design Federal”
- Felicity Scott, assistant professor, Columbia University Graduate School of Architecture, Planning and Preservation, “Non-Communication: Bernard Rudofsky and the Empire of Signs”
- John Seabrook, author, staff writer, The New Yorker
- Neil Selkirk, photographer
- Mindy Seu, designer and author
- Adrian Shaughnessy, graphic designer, writer, publisher
- Paul Shaw, type archeologist, design historian
- Nina Sieverding, co-editor-in-chief of The Thing Magazine, curator, and journalist
- Cynthia Smith, curator of socially responsible design, Cooper-Hewitt National Design Museum
- Gabriel Snyder, editor-in-chief, Gawker
- Deborah Solomon, art critic, The New York Times journalist, biographer
- Jenni Sorkin, craft historian, “The Pottery Seminar at Black Mountain College“
- Michael Sorkin, architect and urbanist, “New York City (Steady) State: An Outgoing Research Project Investigating the Limits of Local Autonomy“
- Sandy Speicher, education director at IDEO, “Design for Learning“
- Naomi Stead, architecture, art, design writer
- Lockhart Steele, blog publisher, president, Curbed
- Valerie Steele, founder, editor-in-chief, Fashion Theory: The Journal of Dress, Body & Culture, “Fashion Theory”
- Emily Stokes-Rees, material anthropologist, “Museumizing the National Imagination: Reflections on Citizenship and Time Traveling“
- Jon Sueda, graphic designer and director of Design at CCA Wattis Institute for Contemporary Arts, “Wide Open Spaces”
- Maki Suzuki, graphic designer, åbäke, “Seriously Forks XI”
- Susan Szenasy, editor-in-chief, Metropolis
- Gay Talese, author journalist, “Eye to Eye with Gay Talese“
- Lettie Teague, wine columnist, staff writer, The Wall Street Journal, “The Language of Wine Labels“
- Edward Tenner, author, historian of technology and culture
- John Thackara, founder, director of The Doors of Perception, “The Revelation“
- Georgeen Theodore, principal and cofounder, Interboro Partners
- Jane Thompson, editor, designer, urban planner, “Rediscovering Design Research: Concept, Atmosphere, Impact on Modern Living”
- Philip Tiongson, principal, Potion, “Invention and Intention: Building Experiential Stories“
- Linda Tischler, senior editor, Fast Company, “Speculatively Speaking: The Future of Design Criticism“
- Aggie Toppins, author, Thinking through Graphic Design History
- Julio Torres, comedian and filmmaker, Problemista
- Catarina Tsang and Patrick Seymour, principals, Tsang Seymour Design Inc.
- George Trakas, sculptor
- Jeppe Ugelvig, Curator, historian, cultural critic, and editor of Viscose Journal
- Masamichi Udagawa and Sigi Moeslinger, partners, Antenna Design, “Design for Activation”
- Valerie Vago Laurer, editor, Phaidon Books
- David van der Leer, executive director, Van Alen Institute, “Into the Streets: Engaging Urban Citizens into More Consistent Thinking and Speaking Up on Cities”
- Daniel van der Velden, founding partner, Metahaven
- Kazys Varnelis, director, Network Architecture Lab at Columbia University Graduate School of Architecture, Planning, and Preservation, “Network Culture: A Changing Context for Design“
- Pilar Viladas, design editor, T: The New York Times Style Magazine, “Words and Pictures“
- Khoi Vinh, graphic designer, blogger
- Alissa Walker, blogger and author
- John Warner, editor, McSweeney’s Internet Tendency, “It’s Funny Because it's True. It’s True Because it’s Funny“
- Lawrence Weschler, author and director, NYU Institute for the Humanities, “Towards a Typology of Convergences“
- Kerry William Purcell, writer, design critic, historian
- Cintra Wilson, fashion critic, “Fear and Clothing“
- John Wilson, documentary filmmaker, How to With John Wilson
- David Womack, executive creative director, R/GA
Current Students
Current Students
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Environmental Scientist and Writer
Faine Aichele is an environmental scientist and writer based in Brooklyn. She graduated in 2024 with a bachelor’s degree in Environmental and Urban Studies with a focus in Urban and Regional Studies from Bard College. Her work centers on air quality justice in the Hudson Valley, documenting pathways to legislation and policy impacts. As an undergraduate student, she was an Air Quality Intern at the Citizen Science Lab, where she helped develop a protocol for scalable indoor air quality testing. This led Faine to the intersection of design and air-quality justice, as the beginning of her fascination with architectural theory. As a writer, she is dedicated to documenting maintenance work and creating effective, engaging science communication.
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Writer, researcher, and multitalented design marketer
Ellie Glass is a Queens-based writer, researcher, and multitalented design marketer. After graduating from the University of North Carolina at Chapel Hill with degrees in journalism and Hispanic literature and culture, Ellie began working in architecture. While working at several NYC-based firms, she quickly developed personal interests in the political and economic forces shaping the built environment of New York and the world. Through her work in strategic communications, Ellie has supported architects and designers in conveying the intent and impact of their work through written content and proposals, video, and programming. Her writing has appeared in PIN-UP Magazine, the New York Review of Architecture, and Hey Alma. Ellie is also a volunteer yoga teacher at the Bowery Residents Committee, a mixed-media collage artist, and an occasional radio DJ.
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Graphic Designer, Artist, and Educator
Molly is a graphic designer, artist, and educator from the US, returning to the US after living in Berlin. She holds a BA in psychology from Yale and an MFA in graphic design from Boston University. She is interested in the intersections of education, psychology, and creativity. Her work in higher education and the arts spans the globe, including roles as an in-house graphic designer for Harvard Art Museums, a lecturer in communication design and typography at universities in Berlin, and a frequent collaborator with GreyStudio. Her multimedia art explores themes of language, patterns, and belonging and has been featured in US and international exhibitions. She is also a founding member of Radius Collective (US) and Wasch Berlin, and her typographic art has been featured in publications including Colliding Lines (UK), and Slanted Magazine (DE).
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Designer, Storyteller, and Founder
Brianna V. Hawley is a New Jersey-based designer, storyteller, and founder of Pour Out Design Collective (PO.D Collective). She holds a bachelor’s degree in Journalism and design from The New School, where her practice began blending graphic design, writing, and research-driven narrative. Her work explores loss and education as points of departure for her personal and collaborative practice. She uses participatory and archival methods to examine how people create meaning from objects and stories. She treats design as a means of preserving lived experience, giving form to what is often left unspoken, and holding complexity rather than flattening it. Her work spans print, installation, and experimental media.
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Journalist and Cultural Critic
Trinity Leslie Hollis is a journalist and a cultural critic based in New York City. She is a member of the New York Alliance of Black Journalists (NYABJ) and an alumna of CUNY Baruch College, where she received the Fannie Davis Prize for essay writing and the Harman Writing Prize for screenwriting. Her work often centers Black Feminist thought and imagines what liberation or joy might look like in neocolonial and techno-fascist contexts. Her analytical approach is informed by her propensity to observe the absurd and ambiguous. Her upbringing in the city’s most isolated borough (Staten Island) created a curiosity in her that could only be satisfied by developing her writerly spirit.
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Graphic and Motion Designer
Mira Jamil is a graphic designer and self-taught motion designer from Singapore. She holds a BA with Honors in Design Communication from LASALLE College of the Arts. Mira has worked across multiple creative agencies on projects for global clients, including Netflix, HBO, and Apple. Mira is currently expanding her practice through research and writing, with a growing interest in visual communication as the intersection of culture, language, and identity. Her work explores how design can reflect, shape, and question the ways we understand culture and ourselves. Beyond design, her interests span creative disciplines from illustration and typography to popular culture, craft, and the unexpected world of nail art.
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Artist and Researcher
Sofia Ella Quimbo is a Brooklyn-based artist and researcher who ponders coloniality and gender through material culture. Her current work explores dolls and dollmaking in interwar New York City. She is a member artist at the Center for Book Arts, where she can often be found arguing with the RISO printers. You can also find her holed up in her atelier, making and repairing dolls. She received her MFA in Communications Design from Pratt Institute, where she was a Communications Fellow at Pratt Center for Community Development. Before pursuing graduate studies, she worked in marketing communications in the Philippines.
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Advocate, advisor, academic, and architect
Amanda Ramos is an advocate, advisor, academic, and architect. She shifted from corporate innovation into social innovation, dedicating her career to defining and designing futures that are strategic, regenerative, and equitable.
Determined to live a multifaceted (“fractional”) life, she has curated a portfolio of leadership roles. She is CEO of WIN, a nonprofit dedicated to increasing the impact and influence of women in innovation; Head of Community at 3x3, a women-led inclusive innovation studio; and faculty in SVA’s Design for Social Innovation graduate program, supporting designers who center communities in their work for lasting social change. She also serves on the Board of Directors at AIANY, advocating for a more engaging and responsible environment for all who create and experience architecture.
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Writer and Designer
Nomaris Garcia Rivera is a writer and designer born and raised in San Juan, Puerto Rico. She has a bachelor’s degree in Journalism and Design, with a minor in Culture and Media from the Eugene Lang College of Liberal Arts at The New School. Most recently, she worked for Macmillan Publishers, marketing books to readers around the world. Her experiences growing up in Puerto Rico fostered her interest in writing, social politics, and cultural studies. She approaches her work with an interdisciplinary mindset, utilizing different media such as writing, photography, and design to tell stories. Some of her work has taken the shape of websites, zines, articles, and workshops. These projects focus on the arts, politics, and culture. On her “off time,” you can find Nomaris at a museum, reading a book, or strolling through the park with her cat. She is currently based in Brooklyn, NY.
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Architect
James Schrader is a New York-based architect. His work ranged from buildings and installations to adaptable streets, public landscapes, infrastructure, and master plans. For seven years, he directed the New York office of Carlo Ratti Associati, where he led more than thirty architecture and urban design projects, ranging from an elevator cabin interior to a million-square-meter innovation district. His current focus is on how cities establish the frameworks for their own evolution, including street grids, parcels, and public space, as well as large-scale developments, and the shifting boundaries between public and private. He is a registered architect in New York and holds degrees from Princeton and Yale.
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Graphic Designer and Researcher
Tarchithaa Chandra Sekharan is a graphic designer and researcher based in New York City with a background in educational communications and oral histories, cultivating multimedia work that brings historically dismissed narratives to light. Tarchithaa holds a BA from Fordham University with a dual major in New Media & Digital Design and International Studies. Rooted in her own third-culture upbringing and her global political-academic background, Tarchithaa takes pride in designing information for her community and neighbors with the intent of digestibility and intersectionality. She hopes to continue this work in community-focused visual communications by pushing the boundaries of design history and familiarity.
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Writer and designer
Emma Selesnick is a New York-based writer and designer. A recent graduate of Tufts University, she holds a bachelor’s degree with dual majors in Film & Media Studies and Community Health. At Tufts, her senior thesis focused on the queering of classification systems, specifically film classification, building on Melissa Adler’s text Cruising the Library. In conjunction with this project, she designed and distributed zines on the topic and hosted a screening series that featured non-traditional “queer” films. Her experiences and interests range from editorial design and journalism to arts administration, outdoor education, and sex ed. Her work has taken place across an array of environments, including high schools, hospitals, community theaters, libraries, and the backcountry. Her previous writing has primarily focused on themes of sexuality, film, family, and urbanism.
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Product Designer and UX Researcher
Melissa is a product designer and UX researcher interested in how technology, culture, and human behavior shape one another. She has worked across media, travel, and AI at clients such as NBCUniversal and Atlas Obscura, exploring how people discover and make sense of information and experiences. Her work in these fields makes her curious about the systems behind everyday interactions, especially how language, cultural context, and digital interfaces influence what we notice, understand, and believe. As a student at SVA, she hopes to build on her background in product and research while exploring the cultural impact of the systems that shape our everyday lives.
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Artist, Researcher, and Designer
Paulina Valdez-Tena is an artist, researcher, and designer from the border between El Paso, Texas, and Ciudad Juárez, Mexico. Her work explores her binational identity and her interest in the arts, technology, and design innovation. She holds a BA with a double major in Art History and Graphic Design from the University of Texas at El Paso, where she interned at the Smithsonian Institution and studied abroad in Italy to learn about art history and architecture. With her experiences in bilingual environments, Paulina has collaborated with la Universidad Autónoma de Ciudad Juárez as a panelist and thesis reviewer. She has presented her research and analysis at the El Paso Museum of Art, the SUNY New Paltz Undergraduate Art History Symposium, and has worked at Preservation Texas as the West Texas Heritage Center Associate. Born in Denver, but continues developing her creative perspective as a proud Fronteriza.
Alumni
Polly Adams
Nawar N. Al-Kazemi
Lucas Albrecht
Class of 2023
Mariam Aldhahi
Lila Allen
Saprila Putri Anindita
Esty Bagos
Derek Bangle
Class of 2017
New York City
Ida C. Benedetto
Alper Besen
Class of 2015
Istanbul, Turkey
Alexander Bevier
Kimberlie Birks
Class of 2011
Amelia Black
Class of 2010
Dylan Bohm
Class of 2025
Brigette Brown
Molly Butcher
Lorena Canales
John Cantwell
Aaron Chu
Olivia Coetzee
Sarah Cox
Tara Gupta Dabir
Jared Dalcourt
Class of 2022
Deena Denaro
Brittany Dickinson
Pune Dracker
Anne Drape
Frederico Duarte
Michelle Duncan
Barbara Eldredge
Cecilia Fagel
Class of 2013
Meg Farmer
Auston Gonzalez
Kathryn Henderson
Jyothi Hiremath
Class of 2025
Chetan Kaashyap
Anna Kealey
Komal Kehar
Soyoun Kim
Alex Klimoski
AJ Kushner
Class of 2024
Emily Kwok
Aileen Kwun
Amélie Lamont
Emily Leibin
Maxwell Lent
Class of 2024
Heba Malaeb
Class of 2018
Saundra Marcel
Class of 2011
Christa May
Class of 2025
Andrew McQuiston
Class of 2022
Olivia Mercado
Class of 2019
Susan Merritt
Evelyn Meynard
Christina Milan
Class of 2015
William Myers
Joseph F. Nally
Class of 2020
Mike Neal
Class of 2010
Monica Nelson
Emma Ng
Paul Olmer
Class of 2017
Brooklyn, New York
Anwulika Oputa
Class of 2021
Lisa O’Neil
Class of 2018
Lauren Palmer
Class of 2015
Ailsa Petrie
Class of 2025
Hortense Proust
Class of 2016
Follow Hortense Proust on Twitter: @hortense_proust / Thesis
Anne Quito
Avinash Rajagopal
Joseph Ramsawak
Shravani Rao
Class of 2016
Bangalore, India
Alan Rapp
Class of 2010
Ian Beckman Reagan
Ben Rejali
Class of 2025
Ajay Revels
Class of 2018
Angela Riechers
Class of 2010
Philadelphia, Pennsylvania
Follow Angela Riechers on Instagram: @designspeakeasy / Thesis
Shani Rodan
Casey Romaine
Erin Routson
Trilby Schreiber
Class of 2015
New York City
Kale Seikkula
Class of 2025
Ridhima Sharma
Amna Siddiqui
Lisa Silbermayr
Anna Marie Smith
Bryn Smith
Class of 2013
Cornelia Smith
Class of 2022
El. Stern
Class of 2024
Jessie Sun
Hannah Tatarelli
Class of 2025
Stuttgart, Germany
Roshita Thomas
Class of 2022
Olivia Trabysh
Class of 2024
Amanda Vallance
Class of 2014
Brooke Viegut
Allison Hewitt Ward
Michele Washington
Class of 2011
Ann Weiser
Jiwon Woo
Class of 2017
New York City
Molly Woodward
Class of 2016
Brooklyn, New York
Cheryl Yau
Class of 2012
Galina Yordanov
Jenni Young
Aneta Zeleznikova
Youyou Zhou
Class of 2021
Justin Zhuang
Amelie Znidaric
Class of 2011
